We capture acoustic music on location—from chamber ensembles to full symphony orchestras—across classical, contemporary, and film scores. Each session is tailored to the venue: layout, perspective, and microphone strategy make the space part of the instrument. Techniques range from large arrays with outriggers and spots to compact stereo mains, always chosen to reveal depth, direction, and intent with a natural, flattering aesthetic. We use Schoeps, DPA, and Neumann microphones with Sonosax preamps for low noise, stable imaging, and pristine fidelity. We deliver stereo, surround, and Dolby Atmos masters—scaled from full orchestral rigs to compact setups for tighter timelines and budgets. Mixes are made in a calibrated reference room and checked on real-world systems to ensure translation. Masters, stems, alternates, and platform-ready assets ship with clear documentation, keeping approvals predictable and releases on schedule. Always built to serve the music—never to distract.